MAGS AND BOOKS
Date and Issue: November 1977.
Pages: 4 pages.
Pictures: 1 color picture on cover and one black and white picture inside.
Article: 4-page generic article about TV's beautiful people, also includes some gossips.
Author: Not stated.
Country: USA.
THERE IS MORE TO THEM THAN MEETS THE EYE!
Whether it's an "angel" like Farrah or Cheryl... or someone not quite so "angelic" like Cher... 0f all of these ladies have at least as much brawn as beauty-not to mention, brains!
     When 'he show was number three in the ratings, I figured it was our acting. When we got to be Number One-I decided it could only be because none of us wears a bra!"
     While loyal fans may want to argue the point with her, Farrah Fawcett-Majors was evidently summarizing her own theory on why Charlie's Angels was ABC's undisputed triumph of last year's television season.
     The trio of female detectives who headed the smash-hit when it debuted are Farrah, Jaclyn, and Kate. All three ladies are lovely and pleasing to the eye which gives credence to the speculation that beauty is indeed a prime prerequisite, for television. Yet, in all fairness, all of the ladies on television today who can boast successful and Nielsen supported series have definitely far more to offer than simple beauty.
     There is no denying there seems to be an "unspoken agreement" between producers and viewers that beautiful women are much more pleasant viewing than an individual not-so-" blessed." One glance at the list of top-rated shows reveals that the female stars on each show are' pretty enough to have modeled-and many have. But a deeper look at each of these actresses also uncovers particular traits that are not readily seen with a surface skimming...
     Kate Jackson, the almond-eyed "Sabrina" of Charlie's Angels, is also recognized as one of "the most intellectual" actresses of Hollywood's up-and-coming generation. Kate, one of the primary inspirations for the series, was under contract to Spelling-Goldberg Productions for The Rookies. When her role as "Jill Danko" ended on that show, Kate was promised another series of her own.
     Being a well-read individual, Kate also happens to be a person who doesn't necessarily wait for opportunity to knock-she makes it. It is not generally known, but it was Kate who originally came up with the idea of having three glamorous detectives who worked for a suave and never-seen gentleman named "Charlie."
     Had it not been for Kate's own determination to forge ahead with her career, television may never have met the Angels. "We were completely taken by surprise by (ABC's) Fred Silverman's instant acceptance of Kate," says Aaron Spelling. "Things usually don't go that fast in TV. We had a second brunette in mind, Jaclyn Smith, but we also figured we'd better throw a blonde at Fred, for contrast.
     "I knew Farrah from when I double-dated with her and Lee Majors. Len (Goldberg) knew her from when he was the head of production at Screen Gems. We put our heads together and tentatively said to Silverman: 'How about Farrah Fawcett? 'Once again, he amazed us by saying: 'Great. Who's next?' "
     Why Spelling and Goldberg may have been surprised at the quick acceptance of their chosen actresses can't be easily explained other than television is notorious for its endless red-tape procedures when casting a show.
     But then, Jaclyn Smith-the second brunette beauty-is no stranger to "casting procedures." A soft-spoken lady with big, brown eyes, Jaclyn epitomizes a Southern Belle in her appearance which made her one of the nation's top models. But the appearance can be misleading if a person suspects Jaclyn to be a shallow individual lacking direction. Far from it...
     When Jaclyn was offered the role of "Kelly," she was one of the most successful models in the industry. Many of her friends and business associates warned her not to jeopardize a lucrative career by gambling on a television series, particularly since it was virtually her acting debut. But Jaclyn, despite the fact that she looks like the type to be pampered, is hardly one to rest on past accomplishments.
     "I had reached a point in my life where I was seeking something more fulfilling and demanding of myself," says Jackie of her decision. "I have a certain amount of ambition and I wanted to take the next step to prove to myself I could do something more creative and artistic than commercials."
     Of the three original "Angels," the sole blonde-and the undeniable phenomenon-of the series was, of course, Farrah.
     In spite of that fact that Fawcett was deeply involved in a contractual dispute with the show, Farrah is well aware of what Charlie's Angels did for her career. And, yet, considering the tremendous upsurge her life has taken professionally, Farrah continues to be much the same person off-camera.
     "It's been very easy out here for me," says Farrah, "because of Lee. He is always there when I need him. He helps me with the decisions and he has made sure I Wasn't being led astray.
     "I know what a terrible place Hollywood can be-if you let it. If I didn't want to do a part-if I didn't want to take off my clothes-I didn't have to because I had someone to lean on. I mean, these are my convictions and they would have been mine with or without Lee. But it sure makes it easier with him being there."
     One reporter, after meeting Farrah, described Hollywood's current Glamour Queen: "She is what she appears to be-a very nice human being living the good life with her husband. Mostly, it has to do with her ingrained belief in home and hearth ... in togetherness."
     The newest "angel," Cheryl Ladd, is also a firm believer in having a solid family life. Married for four years to actor David Ladd, Cheryl was confronted with the biggest decision of her life when she was offered the role of "Kris Munroe."
     "Cheryl thought about it for some time before she accepted it," admits David. "Mostly, the baby (two-year old daughter, Jordan) was the consideration. However, Spelling Goldberg are an exceptional company. They provide creature comforts that will allow Cheryl to have Jordan with her a great deal of the time. We feel like we're in this together."
     Although Cheryl has been consistently active since she moved to Hollywood from South Dakota, she has never relinquished her desire for a family in exchange for the often-grueling demands of a career. When there is a choice to be made, invariably David and Jordan will always come first.
     "She has worked hard for this break," says Mrs. Sue Ladd, Cheryl's mother-in-law. "And I know she will be a great success-it couldn't happen to a sweeter child."
     Another "sweet child"-at least to those of her fans who are older than she-also happens to be a star of her own series ... seventeen-year-old Marie Osmond. Aside from being a beauty and the only daughter among eight sons, Marie stuns most people who meet her with her level-headed approach towards life: "Honesty and the need for self-improvement have always been unwritten laws in my family," Marie admits candidly. Since her performing debut in Las Vegas four years ago, Marie has achieved a level of success that many people male or female, twice her age-still fantasize about. However, none of the trappings of that success ' has affected the devout Mormon girl whose brothers happened to be entertainers of the highest caliber when she was a toddler.
     "No two of my brothers are alike," she laughs easily. "I have a different relationship with each one. It's as though I have a brother for every mood. And, with eight of them, I guess you could say I have clear insights on the opposite sex. I understand their moods ... the things that please them. It's good preparation for finding a husband too, which is important to me because I think being a wife and mother is more important than being an entertainer for the rest of my life. I want a big family just like my mother's. It won't be any problem for me to settle down some day because I've had so many terrific experiences, I won't feel I've missed anything."
     Another Beautiful Person of television who relies on her inner beliefs to counter the tremendous pressures which can accompany being a celebrated beauty is Lynda Carter, TV's Wonder Woman.
     "I suppose it sounds-all of it very serious and sober and heavy," Lynda says, "but the truth is that the spiritual side of your nature holds more fun and beauty and light than you can imagine. It doesn't drag you down-it uplifts you! In my work, I hope to act as a catalyst for other people to find what I've found.
     "I have this 'gift' that I really can't explain. When somebody needs advice, I am able to say the right thing-but it's not really me that's talking! I hear the words coming out of my mouth, yet I don't remember what I said afterward. It's not clairvoyance, but a truly spiritual thing."
     Since Lynda's blue-green eyes, her dark brunette beauty, and her statuesque figure would make her a prime candidate for one to rely solely on her physical attributes, many people are surprised to learn that she has been tested to have a "borderline 10 of genius."
     Carter's reliance on her inner beliefs also accounts for her friendship with TV's other superheroine, Lindsay Wagner. Also, they share the same manager-Lynda's husband of less than a year, Ron Samuels.
     "I've never been a very rigid person in my thoughts about what can happen-and what cannot happen. If anything, my strongest belief is that almost anything can happen. I try to keep a certain form of objectivity in my life through meditation," Lindsay says. "It reminds you that while you are in the limelight right now, it may only be for right now. The important thing to remember is that it's a career-it's not your life!
     "I don't rule out the possibility of an after-life or reincarnation, either. Metaphysics interests me a lot. A few years ago I took a course at the Arica Institute in New York and I'm indebted to it. Their ultimate goal is to help one handle problems. I've learned how to take a good inward look and to see with perspective what traits and habits I had acquired that were retarding my development. It stresses meditation and bringing your life into balance when things get 'rocky'."
     Since Lindsay portrays a super being half-human, half-mechanical on The Bionic Woman and is obviously a stunning lady to look at (she was earning $50 an hour as a model when she was only thirteen), many Hollywood citizens are impressed with her undeterred efforts to flex her "mental" muscles as well. In Lindsay's and Lynda's cases, their images of being 11 powerful" and "beautiful" hasn't blinded them from their own needs as individuals. Individuality is likewise a prime essential to blonde Suzanne Somers, one of the newest leading ladies on the mini-screen in Three's Company. "I firmly believe you can do anything you want to do if you 'plant the seed,' " she declares.
     "There's an area in our subconscious that responds to our dreams and desires if we sincerely direct our energies to it. I decided to become an actress because it looked like fun and I enjoyed the fact that acting entertained people ... made them happy...
     "I always want to play down the celebrity or beautiful-glamorous. aspect of acting and concentrate on those parts of my personality that people can relate to. I'm not afraid to show people that I'm as vulnerable insensitive as they are."
     Vulnerability and sensitivity are two traits which Suzanne and Cher Bono, Allman could discuss for hours on end-if either had the time from heir fast-paced careers to enjoy the luxury of 6 coffee-klatsch.
     Perhaps of all the celebrated beauties of television, Cher is the one who has had to virtually remind her public that she is, indeed, more than just a "glorified clotheshorse."
     And, despite having the ability to look chic in funky jeans or couturier gowns, Cher cannot be dismissed as some "mindless mannequin." If for no other reason than the fact that Cher has been honest with the soap opera circumstances her personal life has taken in recent years, neither fan nor critic can ever accuse TV's "Dark Lady" of every running from life. "I know me," she told a reporter recently. "I'm so worried about my sensitivity that sometimes I may be insensitive to other people's sensitivity. I was really insensitive to Sonny's hurt feelings when I first left him and it was really wrong of me.
     "But, for a long time, I had had feelings that I didn't understand. I kept thinking: 'How can something that makes me feel good be bad? It just can't. 'So, now, whatever I am doing, I know it's right. I might not go about it the right way, but I've got to travel this road-my road."
     Considering the rocky on-and-off marriage she and Gregg Allman have, Cher has often gambled on being the brunt of many "jokes." And, yet, when she could easily rely on a massive network of publicists to "cover up" her mistakes, she doesn't.
     Cher relies on her self-not on her beauty ... her power ... her success. She's even admitted: "My life is so filled with twists and turns that you can never tell what tomorrow will bring." But it's doubtful that Cher whatever the circumstances-will ever shift the responsibility of her actions to others. That would, in her eyes, reduce her sensitivity as a person and as she is the first to admit: "I know now that I don't have to be perfect, I don't feel the tremendous insecurity I used to feel before."
     In short, each of the women mentioned above are not perfect undeniable beauties, yes, but none will ever claim to have reached the status of perfection their public would often like to give them.
     Whether it is sheer determination to carve out a career for herself in a business generally acknowledged as "male territory"- such as Kate or Jaclyn-or reliance on the firm foundation of their families-such as Farrah, Cheryl, and Marie-or finding strength in inner or spiritual beliefs-such as Lindsay, Suzanne and Lynda-or even in putting all her cards on the table, to be accepted or rejected for herself-as Cher does none of these remarkable ladies can ever be accused of being "superficial beauties."
     In each case, a distinct individual is behind that face and it is, as in beauty, up to the beholder to discover her for her true self!
© 1977 by The Laufer Company.
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