 180. BORN
TO BE SOLD |
 |
 NBC 11/2/81
Ron Samuels Productions (120 mins.) |
|
| Kate Carlin
(Lynda Carter) |
| Robert
Westfield (Harold Gould) |
| Sergeant
Prill (Philip Sterling) |
| Marty Helick
(Dean Stockwell) |
| Joan Helick (Sharon
Farrell) |
| Malcolm (
Lloyd Haynes) |
| Carl
Strickland (Ed Nelson) |
| April
Strickland (Joy Garrett) |
| Claire (Claire
Malis) |
| Cindy Carlson
(Donna Wilkes) |
| Janet Carlson
(Rita Taggart) |
| Judge (Bernard
Behrens) |
| George (Gordon
Haight) |
| Mrs. Bugner (Joyce
Temple-Harris) |
| Mr. Bugner (Ken
Hill) |
| Mrs. Hoffman
(Kathy Beaudine) |
| Mr. Hoffman (John
Medici) |
| 1st Cop (Art
Kimbro) |
| Susan (Pamela
Keepe) |
| Girl (Shelley
O’Neil) |
| Tim (Wendel
Baker) |
| Man (Nick
Savage) |
| Attendant (Michael
Murphy) |
| Louie Blatz (Martin
Azarow) |
| Man (Ken
Foree) |
| Hawker (Heshimu
Cumbuka) |
| Cop (Dan
Chambers) |
|
| Director:
Burt Brickerhoff |
| Executive
Producer: Ron Samuels |
| Producer:
Gary Credle |
| Teleplay:
Karen Harris, from a story by Leo Pipkin |
| From the book
“The Baby Brokers” by Lynn Taggart |
| Photography:
William Cronjager |
| Editor: John
A. Martinelli |
| Music: Johnny
Harris |
| Song: “What
Have I Got To Lose” by Johnny Harris |
| Performed by
Lynda Carter |
| Production
Design: Daniel Lomino |
| Associate
Producer: John A. Martinelli |
|
| An illegal
baby-selling operation is uncovered by social worker Lynda
Carter. Dean Stockwell and Sharon Farrell run the shady home for
unwed mothers that supplies Harold Gould’s equally shady
adoption agency. Actress Lana Wood (Natali'es sister) received
billing as executive produer Ron Samuel's assisrtant. |
|
| 828.
HOTLINE |
|
| CBS 10/16/82
Ron Samuels Productions; Wrather Entertainment International
(120 mins.) |
|
| Brianne
O’Neil (Lynda Carter) |
| Tom Hunter (Steve
Forrest) |
| Justin Price
(Granville Van Dusen) |
| Kyle Durham (Monte
Markham) |
| Judy (Joy
Garrett) |
| Ron Chandler
(James Reynolds) |
| Rick
Hernandez (Harry Waters Jr.) |
| Charlie
Jackson (James Booth) |
| Hooten (Arthur
Malet) |
| Larsen (Nick
Angoti) |
| Leo (Julian
Fellowes) |
| Policeman (James
Ingersoll) |
| Tim Tracy (Blane
Savage) |
| Andy (Scott
Durnavich) |
| Hostess (Linda
Fernandez) |
| Dr. Barnes (Joyce
Temple Harris) |
| Jack (Mike
Jackson) |
| Carol (Saranne
Redhill) |
| Stewardess (Carol
Robbins) |
| Barnie (Frank
Stallone) |
| Vicki (Cathy
Worthington) |
|
| Director:
Jerry Jameson |
| Executive
Producers: Ron Samuels, Tom McDermott |
| Producer:
Gary Credle |
| Teleplay: David E. Peckinpah, from a story by David E. Peckinpah, Dr. Stancil, E. D. Johnson |
| Photography:
Matthew F Leonetti |
| Editor: Tom
Stevens |
| Music: Johnny
Harris |
| Art Director:
Mark Mansbridge |
|
| Struggling
artist Brianne O'Neill is talked into a volunteer to
answer phones part-time at Granville Van Dusen’s crisis center
only to find herself being stalked by a psychotic caller.
Original title: “Reachout”. |
|
| 1034. THE
LAST SONG |
|
| CBS 10/23/80
Ron Samuels Productions; Motown Productions (120 mins.) |
|
| Brooke Newman
(Lynda Carter) |
| Sid Pachansky
(Ronny Cox) |
| Ryan (Nicholas
Pryor) |
| Gary Aronson
(Paul Rudd) |
| Deb Pierce (Jenny
O’Hara) |
| Mike Newman (Dale
Robinette) |
| Detective
Colin (Bill Lucking) |
| Philip
Brockhurst (Don Porter) |
| Abby Newman (Luoanne) |
| Morgan (Ed
Bernard) |
| Arnold
Overstratten (Robert Phalen) |
| Doug (Kene
Holliday) |
| Ken Pentoff (Ben
Piazza) |
| Dr. Shaw (Charles
Aidman) |
| Webster (Anthony
Charnota) |
| Stuart (Arthur
Taxier) |
| Philip Hagar
(John Sylvester White) |
| Bobby Pierce
(David Mendenhall) |
| Lloyd Pierce
(Drew Michaels) |
| Jeffrey
Pierce (Bobby Rolofson) |
| Emmett
Gardner (Bill Cross) |
| Passanger
agent (Denise Denise) |
| Guard (Buddy
Farmer) |
| Policeman (Karl
Johnson) |
| Russ (Dan
Magiera) |
| Hard Hat (Duane
Tucker) |
| John Millikan
(S. John Launer) |
|
| Director:
Alan J. Levi |
| Executive
Producer: Ron Samuels |
| Producer:
Neil T. Maffeo |
| Teleplay:
Michael Berk, Douglas Schwartz |
| Photography:
Robert Hoffman |
| Editor: Erwin
Drumbrille |
| Music: Johnny
Harris |
| Song: “The
Last Song” by Ron Miller and Ken Hirsch. Performed by Lynda
Carter |
| Art Director:
James Martin Bachman |
| Associate
Producer: Patricia Sonsini |
|
| Brooke Newman is an aspiring singer who unwittingly comes in to possession of several tapes for which her engineer husband and his partner in their electronic eavesdropping business were murdered, and discovers business were murdered, and discovers are now being stalked by the killers. She decides to find out what coudl be the reason for the murders and investigate on her own. |
|
| 1192. A
MATTER OF WIFE ...AND DEATH |
|
| NBC 4/10/76
Robert M. Weitman Productions / Columbia Pictures Television (90
mins.) |
|
| Shamus McCoy
(Rod Taylor) |
| Lt. Vince
Promuto (Joe Santos) |
| Blinky (Eddie
Firestone) |
| Snell (Luke
Askew) |
| Joe Ruby (John
Colicos) |
| Paulie Baker
(Tom Drake) |
| Helen Baker (Anita
Gillette) |
| Bruno (Charles
Picerni) |
| Carol (Anne
Archer) |
| Springy (Larry
Block) |
| Heavy (Dick
Butkus) |
| Angie (Marc
Alaimo) |
| Dottore (Cesare
Danova) |
| Zelda (Lynda
Carter) |
| Gene Lebell /
Richard Butler / Gary Cashdollar / Leonard D’John / Walter
Wandermann / Lloyd McLinn / A. G. Vitanza / Stephanie Faulkner /
Bobby Baum / Tony Ballen / Abraham Alvarez / Don Ray Hall. |
|
| Director:
Marvin J. Chomsky |
| Producer:
Robert N. Weitman |
| Teleplay: Don
Ingalls, from characters created by Barry Beckerman |
| Photography:
Emmett Bergholz |
| Editor: David
Wages |
| Music:
Richard Shores |
| Art
Directors: Ross Bellah, Robert Peterson |
| Associate
Producer: Carl Pingitore |
|
| A
free-wheeling private eye attempts to track down the killers of
a small-time hood and finds himself neck-deep in a big time
gambling operation. This pilot to a prospected series called
"Shamus" was an attempt to duplicate the success of
the theatrical feature that was a big hit for Burt Reynolds. Joe
Santos and Larry Block repeated their roles from that film. |
|
| 1314. THE
NEW, ORIGINAL WONDER WOMAN |
|
| ABC 11/7/75
The Douglas Cramer Company; Warner Bros Television (90 mins.) |
|
| Diana Prince/Wonder Woman
(Lynda Carter) |
| Major Steve Trevor
(Lyle Waggoner) |
| General
Blankenship (John Randolph) |
| Ashley Norman
(Red Buttons) |
| Queen Hippolyte
(Cloris Leachman) |
| Marcia ( Stella Stevens) |
| Kapitan Drangel
( Eric Braeden) |
| Bad Guy ( Severn Darden) |
| Doctor ( Fannie Flagg) |
| Nicholas ( Henry Gibson) |
| Colonel Von Balasko
( Kenneth Mars) |
|
| With: Helen Verbit, Fritzi Burr,
Ian Wolfe, Tom Rosqui |
|
| Director: Leonard J Horn |
| Producer: Douglas S Cramer |
| Teleplay: Stanley Ralph Ross From characters by Charles Moulton |
| Photography: Dennis Dalzell |
| Editor: Carroll Sax |
| Music: Charles Fox |
| Title song: Charles Fox, Norman Gimbel |
| Art director: James G Hulsey |
| Costume designer: Donfeld |
|
| The popular comic book superwoman from the 1940s, the legendary Amazonian princess with the magic golden lasso, the invisible airplane and the bulletdeflecting bracelets, performs incredible feats of skill and daring to save the life of handsome army air force pilot Steve Trevor and then pits her superior powers against Nazi spies who will stop at nothing to eliminate her. This pilot for the 1975-78 series was the first of several subsequent films developed from popular comic book heroes (Spider-Man, The Incredible Hulk, Captain America and others), and the series that followed was aired on an irregular basis on ABC during the first season (set in the 1940s) before moving over to CBS as a weekly show with a contemporary setting, in which Wonder Woman was allied with the son of the original Steve Trevor. Carter and Waggoner continued their characterizations. |
|
| 1557. RITA
HAYWORTH: THE LOVE GODDESS |
|
| CBS 11/2/83
The Susskind Company Inc. (120 mins.) |
|
| Rita Hayworth
(Lynda Carter) |
| Harry Cohn (Michael
Lerner) |
| Ed Judson (John
Considine) |
| Virginia Van
Upp (Jane Hallaren) |
| Eduardo
Cansino (Alejandro Rey) |
| Aly Khan (Aharon
Ipale) |
| Orson Welles
(Edward Edwards) |
| Vincent
Sherman (Dave Shelley) |
| Joseph
Schenck (Philip Sterling) |
| Winfield
Sheehan (Joe Dorsey) |
| Howard Hawks
(Ivan Bonar) |
| Makeup Lady (Hildy
Brooks) |
| Test Director
(James Callahan) |
| Aly Khan’s
Chauffeur (Julian Fellowes) |
| Freddie Rice
(Ron Frazier) |
| Still
Photographer (Rance Howard ) |
| Rita’s
Mother (Margaret Fairchild) |
| Writer (Stewart
Stern) |
| Leonard Mann
(David Byrd) |
| John Rayborn
(Lindsay Ginter) |
| 2nd Secretary
(Gloria Henry) |
| 1st Secretary
(Lucetta Jenison) |
| Kim Novak (Terri
Lynn) |
| Contract
Player (Leonard Mann) |
| 2nd Assistant
Director (John Rayborn) |
| 1st Contract
Player (Paul Rossilli) |
| Choreographer
(Ted Tadlock) |
| Woman
Reporter (Elayna Vincent) |
|
| Director:
James Goldstone |
| Cinematography:
Terry K. Meade |
| Teleplay: E.
Arthur Kean, from the John Kobal’s book “Rita Hayworth: The
Time, the Place and the Woman” |
| Music: Lalo
Schifrin |
| Executive
Producer: David Susskind |
| Supervising
Producer: Stanley Kallis |
| Producer:
Andrew Susskind |
| Photography:
Terry K. Meade |
| Editor:
Edward A. Biery |
| Choreography:
Tad Tadlock |
| Art Director:
Jan Scott |
|
| In the
tradition of TV star’s biographies, this skin-deep
dramatization of the Hollywood sex queen chronicles her early
career as a dancer and her evolution into a film star, spanning
the years 1934 to 1952, and put Lynda Carter in the spotlight
with the Israeli actor Aharon Ipahale as Aly Khan. david
Susskind was the executive producer; his son, Andrew the
producer. |
